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0123movie complies with DMCA and is a proxy which links to the content available online. Clocking it at number 15 on our list of the 100 Greatest Comedies Ever Made, Billy Wilder’s classic gangster farce plays like Scarface on helium. Tony Curtis and Jack Lemmon make one of cinema’s most delightful double acts as a couple of musicians on the run from the Mob, but Marilyn Monroe steals the picture as the coquettish, breathy and entirely loveable Sugar. As they imagine—and partly reenact—how their partners might be behaving, they fall for each other while remaining determined to respect their wedding vows. Loaded with longing, the film benefits from no less than three cinematographers, who together create an intense sense of intimacy, while the faultless performances shiver with sexual tension. Made in the middle of Italy’s boom years, Federico Fellini’s runaway box-office hit came to define heated glamour and celebrity culture for the entire planet. It also made Marcello Mastroianni a star; here, he plays a gossip journalist caught up in the frenzied, freewheeling world of Roman nightlife. Ironically, the movie’s portrayal of this milieu as vapid and soul-corrodingly hedonistic appears to have passed many viewers by. Perhaps that’s because Fellini films everything with so much cinematic verve and wit that it’s often hard not to get caught up in the delirious happenings onscreen. And yet, the film communicates more about the power of human connection than just about any other whirlwind dalliance you’ve seen in a capital-R movie romance. That’s thanks to Murray and Johansson’s subtle, sad-but-hopeful performances, but also Coppola’s framing of Tokyo as a gauzy, neon-lit dreamscape. Director Roman Polanski and screenwriter Robert Towne took a modestly sleazy noir setup and turned it into a meditation on the horrors of American history and rapacious capitalism.

Die Hard

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Actors are the lifeblood of director Mike Leigh’s famous process, a much-discussed method of workshopping, character exploration, group improvisation and collaborative writing. The results have been consistently exquisite over the years, funneled into period musical-comedies (Topsy-Turvy) and brutal contemporary dramas (Naked) alike. We recommend Leigh’s critical breakthrough, featuring nervy turns by Brenda Blethyn and Timothy Spall, as the perfect place to begin your deep dive. Battlegrounds abound – psychological, emotional, physical – making the bleakly entrenched soldiers of 1916, and the officers who confuse folly for fame, still feel painfully relevant. Movies have always been a gateway into radical art; Hollywood may have made them sleek and accessible, but experimentation was there from the start.

Third Party Cookies

Its tranquil strength later found an echo in Beyoncé’s Lemonade. Set in (eek!) 2019, Ridley Scott’s vision of a dystopian future is one of the most stylish sci-fi films of all time. With a noir-inspired aesthetic and a haunting synth score by Vangelis (a massive influence on Prince), Blade Runner is iconic not just for its era-defining look, but also for its deeper philosophical examination of what it means to be human. Many have tried to imitate the film’s uncanny vibe, but these rain-slicked streets and seedy vistas possess a singular menace. Of course, it’s a work of profound philosophical thought, too, so you’ll feel brainier for having seen it. The melancholy of Michel Legrand’s glorious score washes over viewers’ hearts from the first moment of Jacques Demy’s nontraditional, sung-through musical. Jean Renoir cemented his virtuosity with this pitch-perfect study of social-strata eruptions among the ditzy, idle rich, about to be blown sideways by WWII. Affairs among aristocrats and servants alike bloom during a weeklong hunting trip at a country manor, where the only crime is to trade frivolity with sincerity. Renoir captures his sparklingly astute ensemble cast with fluid, deep-focus camera movements, innovations that inspired directors from Orson Welles to Robert Altman. It’s the easiest 207 minutes of cinema you’ll ever sit through.

In the Mood for Love (

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